He was billed as The Incomparable Giacomo and performed
three shows nightly and two Saturday matinee appearances each week. He
delighted, astounded and regaled audiences with feats of gymnastic acumen,
pantomime and an assortment of actions comedic and whimsical that never failed
to enrapture even the most jaded connoisseur of live theatrical entertainment.
He was a man of legendary fame and unprecedented popularity and, unbeknownst to
all, arguably the single most truly unhappy individual on the planet.
His name was not, of course, Giacomo. He was born Jakab
Kazimir Benedek in a small town relegated to nonexistence by the merciless
Treaty of Trianon. On the cusp of completing a Fine Arts degree in Budapest, he
was swept away onto the bigger stage of world politics as a conscript of the
Austro-Hungarian war machine.
Three years later found him wounded and expatriated in
a hospital near Przemysl. Though the surgeons saved his life, he was left with
a cleft palate, ensuring any hopes of a career as an actor were gone. When the unit
was recalled to England, the hapless young man was granted leave to travel with
them.
Bereft of options and bankrupt of hope, he answered a
newspaper advertisement for stage help at a seedy theater in Dalston. By
happenstance, a regular performer took ill one night and just that incongruously
began the vaudeville stage career of the man who, in the fullness of time, came
to be known as The Incomparable Giacomo.
What none knew, what Jakab would never express was how
much the stage took for all it gave. A comfortable loft, a motor car, tailored
suits and gourmet meals could never restore his dignity to him. Capering and
cavorting about like some demented jackass for the amusement of the crowds, a
little bit more of his soul died with each succeeding performance.
It is a very dangerous thing when the soul of a man
dies for, though it is not always so, very often the body does not linger far
behind. On the night of October 3, 1924 when he failed to appear for a show,
the stage manager went to his lodgings.
Toscanini’s Pagliacci was playing on the victrola and The
Incomparable Giacomo, in full costume and harlequin makeup was found, quite
dead, floating in the bath. Perhaps saddest of all was he left no note, knowing
no words to express the pain he felt.
This story was written for the Behind the Curtain flash fiction contest hosted by the incomparable Anna Meade. You may follow the click button below to view the contest entries.
This story was written for the Behind the Curtain flash fiction contest hosted by the incomparable Anna Meade. You may follow the click button below to view the contest entries.

The incomparable Giacomo left no words behind. Very evocative and great use of the image!
ReplyDeleteWow, what a powerful punch in that twist at the end.
ReplyDeletePowerful stuff, loved the end, great twist.
ReplyDeleteThe characterization in this piece is excellent! Really enjoyed it.
ReplyDeleteAn exquisite final sentence...
ReplyDeleteBeautifully done
ReplyDeleteI loved the use of language, the multi-syllabic words really helped to create a flamboyant grandiose feel to his character which made it sadder at the end.
ReplyDeleteSo many facts add such reality to his character, it's like reading a nonfiction story, albeit a very sad one. Nicely written.
ReplyDeleteI like the classic touch of the perfect details that anchor it in reality, plus the almost matter of fact voice - sounds almost like a newsreel. The contrast between the tragedy and the matter of fact-ness is truly poignant.
ReplyDeleteI loved this, a great character p.ortrait
ReplyDeleteSo sad. A life story in less than 400 words. That's impressive. :) I agree with Meg, the voice offers a distance that seems to make it even more sad. No one ever really knew him, not even the narrator.
ReplyDeleteI caught the irony of the name straight off - the Incomparable Giacamo! - but from there the parallel quickly diverged into something far more tragic. Great use of history, irony, and the crippling trajectory of losing one's dignity. Well done, m'friend!!
ReplyDeleteYour language choices are pitch perfect here, Jeffrey, and really add to the atmosphere and tenor of the piece. So well done!!
ReplyDeletebitterly beautiful
ReplyDeleteThis was a portrait of a man, writ large.
ReplyDeleteImpressive.
Great use of language, terribly bitter, but leaves quite the aftertaste.
ReplyDeleteso sad, other comments have used all the words and there are none left!
ReplyDeleteWonderful story! Love the image you chose, too : )
ReplyDeleteNicely done!
ReplyDeleteIt's almost a summary of the character yet it works! You had me hooked and the ending was so bittersweet. I'll have a hard time forgetting The Incomparable Giacomo, thanks to your imagery.
ReplyDeleteJessica
Visions of Other Worlds
It's like I was reading a conversational history/biography (and I love those so very much) and you drew Giacomo very vividly in my mind and his pain was so very real. Wonderful read.
ReplyDeleteSuch sadness and incurable pain "It is a very dangerous thing when the soul of a man dies for, though it is not always so, very often the body does not linger far behind" was such a wonderful line! Great image too.
ReplyDeleteThis is a fantastic character portrait. I imagine you must have some amazing characterisations in your longer works too. I wanted this to be longer. Damned flash... wonderful as it is.
ReplyDeleteGreat characterization. You really captured his life (and death) in such a short piece.
ReplyDeleteThis is a wonderful, hauntingly sad and painful piece. Excellent!
ReplyDelete